38

Tekke Torba, Face Only
Central Asia

 

 

In Turkmen weaving, the torba was a shallow, rectangular bag, smaller in size than the squarer chuval, and larger than the mafrash. For the Tekke, many torba - this one certainly included - display very high wool quality, more lavish use of exotic colors, and very fine drawing. In the West, the quality and fineness often lead them to be described as dowry pieces, though there is little direct evidence to support this interpretation of their creation.

According to David Reuben1, there are three design families for 6-Gul Tekke torbas. The first has elongated centers, with a small rectangle at the very center. The second has rosettes at the gul centers. And the third family, to which this piece belongs, is the most variable. This particular torba illustrates some of the many design variations that occur. The center of the gul has an eight-pointed star, not found in other examples. Other aspects of the major gul are very unusual, with a parallelogram in each quarter of the major gul – most other examples have a square, or possibly multiple small shapes.

The design rarities continue throughout the rest of this torba. The chemche minor gul also carries the 8-pointed white star at its center. And the presence of a “tertiary gul” – three small white diamonds arrayed vertically – is also atypical. The border has several uncommon elements, too. The main hook figure in the border is quite is rare, though there are other published examples.2 The minor border is even more unusual, with a striking figure within a white square alternating with a square that appears dark on first viewing. Upon examining these dark, “spacer” squares more closely, one can see that in the horizontal borders, there is a colorful “x” figure within each square, and in the vertical direction, the square consists of two equal triangles, one dark and the other colored. It is this type of design creativity within a seemingly very prescribed format that distinguishes the great weaver and weaving, and sets the Turkmen collector’s pulse racing.

JA


1) Reuben, D., Gols and Guls, London, (1998)

2) LeFevre, J., Central Asian Carpets, London, 1976, plate 5, and Elmby, Antique Turkmen Carpets IV, Copenhagen, 1998, pl. 7  

  

Additional Images

 

Detail 1

    Detail 2

Detail 3

 
    
 

Structural Data:

Size:

1’ 7” x 3’ 7” (48 x 109 cm.)

Warp:

Ivory wool, Z2S

Weft:

Ivory wool and brown hair, Z2S; two per row

Front

 

Pile:

Asymmetrical, open right, Z2 lightly spun; 20v x 12h = 240kpsi

Selvages:

Overcast, brown wool, Z2S; two sets of paired warps

Ends:

TOP: 5/8” weft-faced plain weave, blue wool, Z singles; followed by weft-faced plain weave with ivory wool, Z singles (2); turned under and sewn with remnants of dark brown hair, Z2S; 80 per vertical inch
BOTTOM: Jufti knots, reversed vertical orientation, Z singles (4); 1/8” plain weave with dark blue wool, Z singles; followed by 1” of plain weave, ivory wool, Z singles (2)

Back

 

 

REMNANTS OF PLAIN WEAVE: Ivory wool, Z singles (2). Less than one inch of the back remains only at the bottom right back and the left side back. They have been sewn onto front panel selvage with dark brown hair, Z2S; covered with plait stitch join of two color (red & blue) wool, Z2 lightly spun. On left side back this remnant is again overcast sewn with ivory wool, Z2S

   

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